Springfield Little Theatre and Marni Erwin proved to be soulmates, destined to change one another forever. But when the curtain rose on the 2003 – 2004 season, they hadn’t yet crossed paths.

Erwin became involved in British Pantomime through the Off Centre Theatre in the UK prior to moving to the Springfield area. A few years after landing in the Ozarks, she finally walked into the Landers Theatre for the first time. She would come to spend thousands of hours in the historic building, but first, she was drawn in by a laugh.

“I went and saw STEEL MAGNOLIAS and just loved it. I watched [as] two of the actresses onstage lost it for a second,” she remembered. “They looked at each other, and one had a mudpack on her face, and the other just started laughing. It must have been at least 25 seconds, 30 seconds of laughter. I thought, ‘Oh my god. This is amazing. I love this.’”

Soon after, Erwin did the best possible thing she could do to get involved – she started showing up. Technical Directors Jamie Bower and Chuck Rogers quickly took note of her drive and dedication and put her to work, which earned her an endearing nickname.

“I started building with Chuck and Jamie. I really enjoyed that. It’s hard [work]. They called me ‘shop chick’ because I was there every day, and then I would work a show at night. I was at the theatre from ten to ten every day, which was kind of crazy, but I loved it,” Erwin reflected.

As her passion for Springfield Little Theatre grew, Erwin was game for anything. Whatever need to be done, she raised her hand and took care of business.

“I tried acting, which I found out later just isn’t my forte. I love being in the dark,” Erwin admitted. “I love working tech I love directing. I love stage managing. I’ve done a little of everything there except for sound.”

Erwin’s ready willingness and brilliance in all aspects of the theater became apparent and garnered her more responsibility. She began calling shows as stage manager then stepped up to assistant direct alongside Jamie Bower – a partnership that would continue throughout her tenure. Eventually, she made the leap to director in the 2017-2018 season.

“I think everybody had seen enough of me, seen my leadership as far as stage managing,” Erwin explained. “They got a read on me and realized that maybe I could be somebody who could have more of a leadership role. I was put through the paces and worked with Beth. I had been assistant directing with Jamie. I did years of that. I was finally given the opportunity with MIRACLE WORKER to direct my own show. I was just so thrilled and so scared, and it just turned out better than I could have expected. I was really, really proud of that piece.”

Erwin noted that working with actors who had spent time backstage was always apparent. The most professional performances always came from people who had experience doing tech. An understanding of every element strengthened their onstage delivery.

“You should understand all the different facets of a production,” Erwin urged. “Whether it’s painting the stage floor, whether it’s running copies of scripts for a director, whether it’s directing a show, whether it’s being in the chorus of a show and not having a line – which I’ve done, too. Whether it’s aiming a spotlight at somebody, you learn so much and you become part of the production and think, ‘We are really important. We are putting this together.’”

Erwin acknowledged that so many components of live theatre are visible, high pressure, and critical. However, Erwin has found every role she has stepped into rewarding.

“There’s parts of every one of the jobs that are scary,” she recognized. “Calling a show is really scary, because if you screw up, the whole audience sees it. Pushing the buttons for the lights is scary. If you’re off, the whole audience sees it. If you’re onstage and you forget your lines, oh god, that’s happened before. If you’re building a set and you don’t make it safe, somebody gets hurt. There are so many things to consider that go into a production and it’s not just the person taking the bows. That means no disrespect to the actors. It just means that there are a lot of people standing behind them, propping them up and making them look as professional as they do.”

To ease the fear factor of making the leap into theater, Erwin suggested starting out in the house. To anyone who has an interest in becoming a volunteer at any level, Erwin said that ushering is a good position to get your bearings and witness the joy and magic of live theater.

“I think that one of the best things to do would probably be to usher. You get a chance to see a show,” she explained. “It’s not too much pressure. You’re able to meet some people that are involved whether it’s concessions or the other people who are ushering and you get a vibe. Then you can say, ‘I bet you I could do that’ or ‘I could paint the stage’ or ‘I could do the lights. That would be kind of cool.’ I think that’s a good entry level to get a good feel of the theatre and feel if it’s right for you.”

Erwin accomplished notable feats in her time at SLT. Directing, stage managing, and building on multiple shows, she contributed to some of the most ambitious shows ever produced at the Landers. She recalled that every fly was full on THE PRODUCERS – a production that she helped construct and assistant stage managed. Although her resume is now filled with career highs, Erwin knows what it’s like to be new and building skills.

“I got in there without any experience, and I pretty much consider myself a carpenter now after working with Chuck and Jamie. I’m just kind of a chick who’s more like a dude. I’m not afraid to try new things.”

The level of talent and passion throughout the SLT community drove Erwin to elevate her own talents and leadership. “I was kind of a task master as a stage manager. You’ve gotta be on your game. These productions are so amazing. Why would you give less than your best? It’s just such an amazing theatre and it’s not a ‘community theatre’ in any stretch of the imagination to me. It’s as professional as you can get.”

Erwin hopes that newcomers appreciate the special community at SLT, but don’t allow it to intimidate them. She emphasized the welcoming nature she experienced over the years.

“I think in times like this when it’s easy to feel alienated by the world sometimes, it’s so special to find a place where everybody has a seat at the table,” Erwin reflected. “[Springfield Little Theatre] is that for me. They’ve allowed me to soar, and I didn’t know I could. It’s just added so much to my life and the people that I have met there. It just means so muchIt’s hallowed ground. It really is. I can’t wait to step on the stage again.”

To begin your volunteer journey with Springfield Little Theatre, visit springfieldlittletheatre.org/volunteer.